x marXist the spot... Sopot? or Hel?

*
ELeCTION dAYLIgHT
*

pourquois les références vers la Pologne?
have you seen the zagging of epitaphs?
the Great Danzigian Bay, imperial wit?
yet they say, he is here to confound,
with inexplicable (yet understandable) French
inserted like a string of modified starches,
with 12-carat mischief clenched by a democratic hand.
There is always an abrasion to communication,
a diamond-held finger cutting the layers of a golden cake,
there is remant food (nourriture) housed in strange buffets,
and votes to be served... still? somewhere else,
maybe trailing a plane that circles a city skyline
it may be written, that words and pictures cannot be objectified,
yet here, plain, invalid here, I can pretend, I understand the message,
I can say, I have heard the people and their power.
*
I suppose the resulting anger was devoured by an inconstant fear,
by red lights ascending to the tips of bells and parliaments,
to benches stripped of their blue and green,
to orange juice squeezed from Caribbean Cafes
into glasses inured with feckless spots.
These are the times when the roomy tables of the New Proletariat
are infested by the ranting of political thieves, children smiling
in the background, daughters as pure as those lonely girls
on Bikini Beach (Wasaga not discounted), daughters as dour and aplomb
as the feelings for their one inherited brother,
the ones the reporters have named (gratitude Rich?)
the one that waltzes away, tabulates,
and spends each last pellucid moment of the everyday
scouring for safety.
*
Perhaps it's also true that their long, slim hairlines,
and slender mouths, have yet to spark riotous acts in suburban grottos,
have yet to tremble beneath the poor brinkmanship of indebted contractors,
have yet to waste their gorgeous (and stubbornly generous) ulcers
on small wooded ravines that tussle the roads straddling the city,
have yet to feel a day going by that couldn't be won...
*
Later in the evenings, whilst the elder Richard
ponders an inconstitutable sky, white yet puffy,
the clock passes the time of Szymborska's Universe,
and brandy becomes a flicker of pine-scented verandah,
and that daughter with bikini entrails,
with waxed poetic legs and polished germs --- seeks nothing
but the hypnosis of a good photograph, of the ridges that linger
on rouge'd pursed lips, that cleanse the teeth
of anything leafy or green. And in those ravines
where the city is safe, unusuable 2x4's are now discarded,
a discomfiture of metal and glass bubbles towards life,
escapes its 4x4 past, opens its mouth and gazes at the iridescent stake,
with tepid indulgence it sends a shiver of momentum onto the roadway...